1:12:02
- Yes, sir.
- We're gonna give him one.
1:12:06
You know what I should do?
I should sock you in that funny nose.
1:12:10
- Yes, and I'd love it.
- Sure you'd love it.
1:12:21
How far have you gotten?
1:12:23
Just been able to get off
of that Norway coast so far.
1:12:27
"Act 1, Scene 1.
A street in Old Madrid."
1:12:31
You're not getting your play done,
but you're covering a lot of territory.
1:12:34
Haven't I covered some territory?
Seems like I've been on a cook's tour.
1:12:38
Stew, have you ever been
to Old Madrid?
1:12:41
- Been where?
- Old Madrid?
1:12:43
No. I've never even been
to new Madrid.
1:12:45
Then how do you expect
to write about it?
1:12:47
I'll draw on my imagination, I suppose.
1:12:50
Did Conrad draw on his imagination?
1:12:51
- Did who?
- Conrad.
1:12:53
- What do you know about Conrad?
- Not a thing.
1:12:55
Isn't he the one
you're always yelling about?
1:12:57
Gosh, you look cute.
1:12:58
Isn't he the one who writes
only about things he knows?
1:13:02
Didn't he go to sea
before he wrote about it?
1:13:04
Then you write
about something you know.
1:13:06
Write about yourself and Anne.
The poor boy who marries a rich girl.
1:13:09
Now, there's a swell theme.
1:13:14
Gee, that's an idea there, Gallagher.
1:13:17
That's an idea there. I wonder, now.
1:13:19
Oh, sure.
She'd make a beautiful heroine.
1:13:24
And there's her mother.
1:13:26
What a character that old dame
would make with her double-strength.
1:13:31
And that lawyer friend of theirs.
He'd make a great villain.
1:13:33
- And there's you.
- What could I be?
1:13:36
I don't know.
You could be something.
1:13:38
Come on, scram.
We got an idea. Let's get this set.
1:13:41
It's a great idea.
Great idea for a play.
1:13:45
Get me a cigarette, will you?
1:13:48
Let's don't lose this. Just...
1:13:53
- Here you are.
- All right, thanks.
1:13:55
Now, let's see.
1:13:59
How will I start?