:29:02
Who's the father?
:29:04
Who's the father?
:29:06
I suppose you'll tell me
he was a big shot or something.
:29:09
Rodney Kent gave you
this apartment for her?
:29:11
Yeah, must be
as big a sucker as l am.
:29:14
He must be off his nut.
:29:16
"The whole thing sounds insane,
but go ahead, use the apartment.
:29:19
My only request is
make certain
:29:22
no one puts mustaches
on the paintings."
:29:26
Say, listen,
come over here.
:29:29
I want to talk to you.
:29:33
Get this, l got the Babcock deal
all set, get me? It's set.
:29:38
Now that's our bread and butter.
What's this?
:29:41
You're not doing yourself
any good here.
:29:42
Yeah, l know.
You think l'm screwy,
:29:45
but l got an idea.
:29:47
For years Annie's
been lucky to me, ain't she?
:29:49
What luck would l have
if l passed her up now?
:29:54
Miss Missouri Martin.
:29:55
- Fetch her in.
- Missouri Martin?
:29:57
Yeah, the old gal herself.
How is it, boys?
:30:00
Come on, gang.
How's my baby?
:30:02
Cut it out, cut it out.
:30:03
Here they are, suckers, the gang
that keeps me broke but beautiful.
:30:07
All ready for the slaughter.
Now where's the victim?
:30:11
There she is.
:30:12
And what material for
a bunch of hungry artists.
:30:17
Look at 'em, tongues hanging out.
:30:18
By the time they're finished,
she'll look as good as me.
:30:21
The idea is to
make her look like a lady.
:30:24
"Laughing Boy" is in again.
:30:26
All right, flesh pounders,
this is going to be a sweet job.
:30:29
- Alright, Annie, let's go.
- We will make you beautiful.
:30:32
- Come on.
- 'Atta gal.'
:30:34
The hair the biggest problem.
:30:36
It's all right, Annie.
:30:40
You won't get to first base.
You'll have lead her on a string.
:30:44
Take her in that bedroom.
:30:48
Wait a minute,
he can't go in there.
:30:51
It's alright, Dude,
it's alright.