:02:01
You invited me to dine with you at 7:00.
:02:03
It is now 8:00, and no dinner.
:02:06
No dinner? I just had
one of the biggest meals of my life...
:02:09
and no thanks to you, either.
:02:10
- I've been sitting right here since 7:00.
- With your back to me.
:02:13
When I dine with a woman,
I expect her to look at my face.
:02:16
- That's the price she has to pay.
- Your check, sir.
:02:20
$9.40? This is an outrage!
If I were you, I wouldn't pay it.
:02:26
- What are we gonna have for dinner?
- You've had your dinner.
:02:29
All right, we'll have breakfast.
:02:30
- Waiter!
- Yes, sir.
:02:32
- Have you got any milk-fed chicken?
- Yes, sir.
:02:34
Squeeze the milk out of one
and bring me a glass.
:02:36
Yes, sir.
:02:38
Mr. Driftwood, three months ago,
you promised to put me into society.
:02:41
In all that time, you've done nothing
but draw a very handsome salary.
:02:45
You think that's nothing? How many men
do you think draw a handsome salary?
:02:49
You can count them on the fingers
of one hand, my good woman.
:02:52
- I'm not your good woman!
- Don't say that, Mrs. Claypool.
:02:54
I don't care what your past has been.
:02:56
To me, you'll always be my good woman,
because I love you.
:02:59
There. I didn't mean to tell you
but you dragged it out of me.
:03:03
I love you.
:03:04
That's hard to believe when I find you
dining with another woman.
:03:07
That woman?
Do you know why I sat with her?
:03:10
Because she reminded me of you.
:03:13
- Really?
- Of course.
:03:15
That's why I'm here with you,
because you remind me of you.
:03:18
Your eyes, your throat, your lips...
Everything about you reminds me of you...
:03:23
except you.
:03:24
How do you account for that?
She figures that out, she's good.
:03:27
Mr. Driftwood, I think we'd better
keep everything on a business basis.
:03:31
Every time I get romantic with you,
you want to talk business.
:03:35
I don't know. There's something about me
that brings out the business in all women.
:03:39
All right, we'll talk business.
You see that man eating spaghetti?
:03:43
- No.
- You see the spaghetti, don't you?
:03:46
Behind that spaghetti
is none other than Herman Gottlieb...
:03:49
director of the New York Opera Company.
:03:51
- Do you follow me?
- Yes.
:03:52
Stop following me,
or I'll have you arrested!
:03:55
I've arranged for you to invest $200,000
in the New York Opera Company.
:03:58
I don't understand.