:18:01
You can stay here
and work if you like,
we're off.
:18:03
Goodbye.
:18:08
Pull down the shades
and lock the door, Peter.
:18:26
That's a silly looking...
:18:31
Bless me.
:18:33
Bless my soul.
What was that?
:18:36
Uh, I'm sorry, sir.
I threw something.
:18:38
Bless my soul.
:18:40
Oh, it's quite all right,
of course.
:18:44
But I don't know
why you should be angry.
:18:47
That looks
very satisfactory.
:18:49
Very satisfactory.
:18:52
You've evidently solved
that problem, Peter.
:18:55
Well, good night, Peter.
:19:01
Mr. Slade.
:19:04
Yes, Peter?
:19:07
Mr. Slade,
:19:10
I'm leaving you.
I'm through.
:19:12
Why, bless me, Peter.
:19:13
I've had all of
London I want.
:19:16
I-I'm fed up with everything
I can think of.
:19:18
Plans and buildings
and people and fog
:19:22
and l... everything else.
I'm going to America.
:19:25
Peter, you can't do that.
:19:28
Why, you are the most
promising young man
in my employ.
:19:31
I should hate to lose you.
:19:33
You can become the
most prominent architect
in London
:19:35
if you'll just apply yourself.
:19:37
Well, l... I don't feel
very much
:19:39
like applying myself.
:19:40
Peter, what you need
is a rest.
:19:43
You've been
working steadily.
:19:44
Take a holiday
and go to Paris.
:19:47
Go to Paris and play.
:19:49
Why?
:19:50
It isn't any good, sir.
:19:52
What is it, Peter. A lady?
:19:54
No.
:19:55
What, then?
I don't know.
:19:57
Well, whatever it is,
:19:59
it's no good
runnin' away from it.