:53:01
It's about you.
:53:04
Sometimes it's kind of hard for me
to say things, so I write 'em.
:53:06
I'd like to read it sometime.
:53:10
Maybe I'll have it finished next time
I see you. Will I see you soon?
:53:12
Gosh, that's swell, Mary.
Goodnight.
:53:17
Goodnight.
:53:20
Mabel, that guy's either
the dumbest imbecile in the world
:53:27
or the grandest thing alive.
I can't make him out.
:53:31
- I'm crucifying him.
- People have been crucified before.
:53:34
- Why do we have to do it?
- You started out to be a success.
:53:38
- Then what?
- Search me. Ask the Gypsies.
:53:42
Here's a guy
that's wholesome and fresh.
:53:44
To us he looks like a freak.
:53:47
Do you know
what he told me tonight?
:53:49
When he gets married he wants
to carry his bride over the threshold.
:53:52
The guy's barmy.
:53:56
Is he? Yeah, I thought so too.
:53:58
I tried to laugh,
but it stuck in my throat.
:54:00
Cut it out, will ya? You'll get me
thinking about Charlie again.
:54:03
He's got goodness, Mabel.
:54:09
Do you know what that is?
:54:11
Of course you don't. We've forgotten.
We're too busy being smart alecs.
:54:13
Too busy in a crazy competition
for nothing.
:54:17
I beg pardon, sir.
:54:26
- Madame Pomponi is on the telephone.
- Who?
:54:30
She says everything is all set
for the reception.
:54:32
Don't come in when I'm playing.
:54:35
- She's on the telephone.
- Get out. The evil finger's on you.
:54:37
- The finger, sir?
- Get out!
:54:40
Stop!
:54:49
- Did you hear that?
- What, sir?
:54:56
Why, that's an echo, sir.