1:25:00
Stand still, will you?
1:25:02
What's the matter? Are you sore
because I'm putting the show over?
1:25:05
- On-stage, Mr. Shaw.
- Coming.
1:25:09
If you really want to see something
good, catch me in this next number.
1:25:13
Thanks. I've seen enough.
1:25:40
Clare! Well, well.
1:25:42
The more you know about women,
the less you know about women.
1:25:46
I was beginning to think I had a
permanent lease behind the eight ball.
1:25:49
What did you think of the notices?
Nothing but raves.
1:25:52
- I'm glad you're satisfied.
- Oh, well, it wasn't all me.
1:25:57
I came to talk to Johnny and you
about last night. Where is he?
1:26:00
Johnny? He's gone.
1:26:03
- Where?
- I don't know and I don't care.
1:26:06
So you don't care?
1:26:09
Well, if the newspapers had printed
the truth this morning, you'd have read:
1:26:13
"While King Shaw passed out drunk
in his dressing room, not even knowing...
1:26:17
...that the show had started, a new star
was born to Broadway, Johnny Brett!"
1:26:21
Well, what are you talking about?
1:26:23
I'm talking about
your first number, Mr. Shaw.
1:26:26
The number they're all raving about.
1:26:28
He handed you a career
on a silver platter.
1:26:31
And personally,
I don't think you're worth it!
1:26:47
- Good evening, Pop.
- Good evening, Miss Bennett.
1:26:49
There's your mail. I gave the key
to your dressing room to Mr. Shaw.
1:26:53
- Mr. Shaw?
- Yes, miss.
1:26:56
Half-hour. Half-hour.
1:26:59
- Good evening, Miss Bennett.
- Good evening.