:12:01
I don't mean this
in a negative way at all.
:12:03
I don't mean it was 'anti-film.'
:12:06
But suddenly
the writing took on a richness.
:12:10
I compose a little,
:12:11
and there's nobody to tell me that
the results are anything but brilliant.
:12:16
So, I live in a comfortable glow
of self-appreciation.
:12:21
Also, it has a certain ...
:12:23
in a very generalised sense ...
political value.
:12:27
Uncle Philip, it's your duty
as an American citizen.
:12:29
It is my duty as an American citizen
:12:31
to believe a man innocent
until he's been proved guilty.
:12:35
Don't tell me about my duty.
lt makes you sound so stuffy.
:12:40
Besides, l have my own ideas
about my duties as a citizen.
:12:43
They sometimes involve
disregarding the law.
:12:46
(Lloyd) Hitch was not a political man,
:12:48
and he didn't like things
that had a social value,
:12:52
but he had a certain fundamental
reaction to evil in the world,
:12:57
and he expressed these things
very beautifully in this character.
:13:03
I-I don't know how to thank you,
Mr Martin.
:13:05
Go ahead, Barry.
:13:06
Go ahead and do the things
I wish I could do.
:13:13
Hitchcock,
in making this picture about
:13:17
the activities of
:13:20
what you may call traitors
within the community...
:13:23
within the American community,
:13:25
set out to cast people...
:13:27
who were as neighbourly and as
acceptable as Americans as possible.
:13:33
He got otto Kruger,
:13:35
who was the soul
of drawing room drama.
:13:39
otto Kruger was as smooth
as you could get.
:13:43
No, no, Susie. Those are not for Susie.
Those are for the gentlemen.
:13:47
All right. Let's go.
:13:49
And Alma Kruger ...
no relation to otto ...
:13:53
she was almost a matronly-like person.
:13:57
Nothing very dark about her,