:31:00
And we'd walk,
and I'd always come by.
:31:04
I'd say, ''Oh, look.''
:31:07
The guys were flabbergasted.
:31:12
ln the course of making Saboteur,
:31:15
l'm proud to say that Hitchcock
and l became good friends.
:31:20
And, subsequently,
he cast me in Spellbound.
:31:25
Then, in 1957,
:31:27
he had been put in the television
business by MCA.
:31:39
Good evening.
:31:40
And he was the star of the show.
:31:42
He was on every week,
and... he loved it.
:31:55
At the end of the second year,
there was a series called Suspicion,
:31:59
and they felt that they needed more
help in the making of these pictures,
:32:04
as well as doing
Alfred Hitchcock Presents.
:32:06
And in those days,
we'd do 39 of them, half hour shows.
:32:11
So, they sent for me and put me into
this position as associate producer .
:32:16
Eventually, l became producer
and then executive producer.
:32:21
What I loved when I worked
with him was,
:32:24
if he was pleased,
:32:26
there would be a kind of twinkle
in his eye
:32:30
at what he saw.
:32:32
And if you could produce that twinkle
in his eye you knew you were OK.
:32:39
When Hitchcock developed
this story ...
:32:42
which he developed initially
others wrote it ...
:32:46
he was very much influenced
by himself,
:32:48
namely his first really big hit,
which was The 39 Steps.
:32:54
The structure of that piece is a hero
:32:56
who is mistakenly fingered as
a guilty man and therefore has to flee.