:36:01
And I thank you.
:36:10
- Nice going.
- That's tearing them out of their chairs.
:36:14
All set up for you. Go get them.
:36:17
After the way we went tonight
we're ready for New York.
:36:20
If we're a hit here,
it's a cinch in New York.
:36:23
- Nice going, kid.
- Thanks.
:36:25
Oh, Mr. Cohan, just a minute.
Pretty fair act you folks have got.
:36:30
- They seemed to like it.
- That's a soft audience.
:36:33
- Got any open time?
- From now on.
:36:35
- I'll make an offer.
- We'd be glad to talk.
:36:38
Fine. Fine. You know, they're always a
soft audience here on Wednesday. Pushover.
:36:49
- Did you catch it?
- Oh, you were wonderful, George.
:36:52
- But I don't know, I miss that beard.
- Did you get up on that number?
:36:56
It's a lovely song, George.
I've learned it by heart.
:37:00
Good. I rehearsed it with the orchestra.
You'll do it this show.
:37:03
He knows your key.
You just follow him for tempo.
:37:06
But there's a notice. You can't
change your act after the first show.
:37:10
The manager expects me to sing
"The Wedding of the Lily and the Rose."
:37:15
Who were they applauding,
the manager or me?
:37:17
- Now go on out there and do it.
- Oh, George, I can't move.
:37:21
I can't go out there,
not without rehearsal.
:37:24
What are you worried about?
:37:26
You're doing a George M. Cohan lyric
to a George M. Cohan melody.
:37:30
- Yes, but it's my voice.
- A George M. Cohan discovery.
:37:34
Nobody ever had a better start.
There's your introduction, go on.
:37:46
Good luck, kid.