:22:30
(man) It's a shame.
Pleyel's in there with his etchings.
:22:34
Why don't they tell the poor devil he won't
see anyone, instead of torturing him?
:22:43
Claudin?
:22:45
He'll see me?
:22:48
No. He is too busy today.
:22:50
- Has he seen my manuscript?
- Manuscript? What manuscript?
:22:53
- My concerto.
- I know nothing about it.
:22:56
- But you took the portfolio into him.
- If I did, you will receive it in due time.
:23:17
Now, my dear, the acid. Be careful,
or you'll burn yourself horribly.
:23:22
- Monsieur Pleyel?
- What are you doing here?
:23:25
- I've been waiting since this morning.
- Weren't you told I couldn't see anyone?
:23:29
Yes, but my manuscript.
I must find out about my manuscript.
:23:33
Give this fellow
his manuscript, Georgette.
:23:36
You'll find it on the desk, if it's anywhere.
:23:38
- What is your name?
- Uh, Claudin. Erique Claudin.
:23:42
Claudin...
:23:44
No, it wouldn't be there. It's a large
manuscript in a portfolio. It's a concerto.
:23:49
- I'm sorry, but I don't know where it is.
- But it must be here.
:23:52
Well, if it is, it will turn up.
You might call again in a few days.
:23:55
You don't understand. It's my only copy.
It represents two years' work.
:23:59
- You heard what the lady said.
- But it was brought in.