1:00:02
- Too much.
- Very well, then.
1:00:04
- The Opera will reopen.
- Yes, monsieur.
1:00:24
(bell)
1:00:32
- Oh.
- (both) Good morning, Christine.
1:00:34
- Good morning.
- (both) May I come in, Christine?
1:00:36
Yes, do.
1:00:50
- Well?
- (both) Christine, I...
1:00:52
- Yes?
- (both) If I might have a word...?
1:00:54
- Well, what is it?
- After you, monsieur.
1:00:56
- (both) Christine, I...
- Well, now, one at a time, please!
1:01:00
You first, Anatole,
as your name begins with an A.
1:01:02
They're going to reopen the Opera.
At last we will sing...
1:01:05
You are wrong, monsieur.
I'm sorry, Christine.
1:01:07
They are going to reopen the Opera,
but without you.
1:01:10
Circumstances
connected with the murder
1:01:13
demand that someone else
sing the leading role.
1:01:15
- But Anatole...
- You may like to know, monsieur,
1:01:19
that circumstances connected with
the murder demand that she does sing.
1:01:22
Really? I am aware that your profession
requires a certain self-assurance,
1:01:26
- But aren't you going too far?
- Not at all.
1:01:29
I have a plan for
apprehending the murderer.
1:01:31
- So you have turned detective, monsieur?
- I have.
1:01:34
Very well, if it amuses you,
but I advise you to confine your hobby
1:01:37
to the entertainment of your friends.
1:01:39
Well, let's not waste words, monsieur.
1:01:41
I've been assured by
Messrs Amiot and Lecours
1:01:44
that as soon as the Opera reopens,
MIle DuBois will sing.
1:01:47
And I might add that
my plan is strictly confidential.
1:01:51
I'm sorry, but in my official capacity
1:01:53
I ordered Messrs Amiot and Lecours
not to permit you to sing.
1:01:56
- But Raoul...
- At least, not for the present.
1:01:59
And I am not in the least
interested in your plan.