1:26:02
Well, I'm terribly sorry,
Anatole, but I can't tonight.
1:26:07
Why not? Have you another engagement?
1:26:09
- Yes.
- With whom?
1:26:11
With Raoul.
1:26:13
- That policeman?
- (knock at door)
1:26:16
- Come in.
- Christine!
1:26:20
- Oh.
- Oh.
1:26:24
(both) Christine...
1:26:26
- You two know each other, of course.
- (both) Of course.
1:26:30
How soon will you be ready?
The carriage is waiting.
1:26:33
- I know Monsieur Garron will excuse us.
- Anatole has just asked me to supper too.
1:26:38
No doubt. You won't be long,
will you, Christine?
1:26:41
I have an idea. Why can't we three have
supper together? It's all ordered, isn't it?
1:26:47
I am not in the habit of
taking baritones to supper.
1:26:50
And I do not care to be
seen in public with the police.
1:26:53
Christine, you'll have to
make up your mind finally between us.
1:26:56
Precisely.
1:26:58
(Vercheres)
Don't push, monsieur! Oh, no, no.
1:27:01
- Excuse... Mademoiselle...
- Excuse me.
1:27:10
Don't push, monsieur, please!
1:27:27
Will you join me for a bit of supper
at the Café de L'Opéra?
1:27:32
With pleasure, monsieur.
1:27:40
Think we can get through this crowd?
1:27:42
Certainly. After all, who'd pay any
attention to a baritone and a detective?
1:27:46
Quite right.
1:27:49
- After you, monsieur.
- After you, monsieur.