1:11:01
Look, Brooklyn ain't a good setup for you.
1:11:05
Okay, Johnny. Okay!
1:11:09
Take the instruments and hide them
in the cellar. Move fast.
1:11:14
-You don't know what goes on in Brooklyn.
-I don't know.
1:11:18
-My mother was an actress.
-Legitimate?
1:11:20
Of course. She was my mother.
1:11:22
-Excuse me.
-Peaches La Tour was her name.
1:11:26
-Come quick!
-What's the matter?
1:11:28
-You know that hole in the cellar?
-Yes.
1:11:30
Well, we got an ace in the hole.
1:11:34
It's no fly-by-night idea.
I worked on it for 12 years.
1:11:37
Well, rehash it. I'll be back in a minute.
1:11:40
-Swell.
-I like the first act.
1:11:41
I didn't tell you the first--
1:11:51
I thought I told you....
1:11:57
Yes, Mortimer.
1:12:01
What are you doing still here?
I thought I said beat it.
1:12:04
We're not going.
1:12:05
-You're not going?
-No.
1:12:07
You stay out of this.
1:12:08
All right, you asked for it.
1:12:11
-Officer O'Hara?
-Coming.
1:12:13
If you tell O'Hara
what's in the windowseat...
1:12:16
...l'll tell him what's in the cellar.
1:12:18
Cellar?
1:12:19
There's an elderly gentleman down there
who seems to be very dead.
1:12:24
-What were you doing there?
-What's he doing there?
1:12:27
Now what are you going to tell O'Hara?
1:12:29
Your aunts want to hear the rest.
Shall I bring them in here?
1:12:33
You can't do that now.
You'd better ring in.
1:12:36
The heck with ringing in!
I want to tell you the plot.
1:12:38
You can't tell me
in front of those two fellas.
1:12:41
Lowbrows, huh?
1:12:42
Let's go where we can be alone.
I'll meet you there later.
1:12:45
How about the backroom at Kelly's?
1:12:48
Fine place. Bohemian atmosphere.
Genius at work.
1:12:51
You ring in and I'll meet you at Kelly's.
1:12:53
Why don't you both go down in the cellar?
1:12:55
That's all right with me.
1:12:57
There's a much more literary atmosphere
in Kelly's, I assure you.