Cover Girl
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1:10:03
He's hard to keep out, isn't he?
1:10:06
Maribelle, listen to me.
1:10:07
l know what he has to offer.
l know what this has to offer.

1:10:10
lt's nothing to what l can give you.
He loves you.

1:10:14
But not the way l do. Forty years from
now l'll love you more then l do now.

1:10:19
What you have now,
you can have a million times.

1:10:21
All the things you tell me
are important: love, fun, music.

1:10:25
lf you marry me, you'll have
all of them. l promise.

1:10:28
The very best that money can buy.
1:10:31
Now do you understand
my interest in Rusty?

1:10:34
lt's like my youth has come back after
having been away a long, long time.

1:10:40
Who was playing the piano?
1:10:43
A very ordinary, young fellow
who worked there.

1:10:46
ln love with her.
1:10:47
What difference does that make?
He had nothing to offer her.

1:10:51
Like me.
1:10:52
lf you like.
1:10:56
Thanks for a very interesting evening,
Mr. Coudair.

1:10:59
But it's after 1 :00, and Rusty'll
be waiting at a place we know.

1:11:04
l wouldn't be too sure about that,
Mr. McGuire.

1:11:06
At the risk of repeating myself,
Rusty wants what we have to give her.

1:11:11
Good night, Mr. Coudair.
1:11:25
lt certainly is big, isn't it?
1:11:28
You ought to see it when it's filled
with 2000 people.

1:11:31
Two thousand?
1:11:34
And look at the orchestra.
We only have six in ours.

1:11:38
What do you do with so much room?
1:11:40
Watching you at McGuire's, l'm amazed
how well you handle the space.

1:11:44
l'd think you'd be knocking
each other down.

1:11:47
Sometimes we do wish we had
a stage as big as this one.

1:11:50
This stage is yours
for the asking, Rusty.

1:11:56
My goodness, it must be at least
a half a mile wide.


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