:02:26
No, Paula. Don't look back.
:02:28
You've got to forget everything
that's happened here.
:02:30
That's why you're going to Italy,
to Signor Guardi.
:02:34
He was the best friend your aunt ever had,
and he'll be yours, too.
:02:38
Perhaps Signor Guardi will make you
into a great singer, as she was.
:02:42
Wouldn't you like that?
:02:45
You must think of the future, dear,
not the past.
:03:18
No. Now, look. Wait a moment, signorina.
:03:21
There's no use.
Paula, you are not concentrating.
:03:24
Your mind's not on your singing.
:03:26
All these years you've worked so hard.
Now what's come over you?
:03:31
This opera is tragedy, signorina.
You seem incapable of understanding.
:03:35
Did you never hear your aunt sing Lucia?
:03:38
You look like her.
:03:40
But I don't sing like her. I know.
:03:47
Signor Guardi,
may I speak to you seriously?
:03:51
- Very seriously.
- Maestro.
:03:54
It is 10 minutes to the hour.
:03:55
If you're not continuing the lesson,
I'd like to be excused.
:03:58
- Very well, Signor Anton.
- Thank you. Good afternoon, signorina.