:13:06
Mr. Boray.
:13:08
Mr. Boray.
:13:12
- Me?
- Mr. Boray, we don't expect you...
:13:14
...to be with us all the time. But would
you mind keeping in touch with us?
:13:18
This overture is written
for full orchestra not solo violin.
:13:21
- Let's try it both ways.
- Let's try it as the composer wrote it, Boray.
:13:26
All right. I'm sorry.
:13:29
All right. Once more
from the double bar.
:13:32
This time, Mr. Boray has promised
to rejoin the orchestra.
:13:38
It occurs to me, Mr. Boray,
you are very fresh.
:13:40
Well, that's exactly the quality
that I like in your playing.
:13:44
All right. From the double bar.
:14:15
I'm right behind you, Gina.
:14:19
Get it? See what I mean?
Bach is church windows.
:14:22
Beethoven is a giant range
of mountains. Wagner is a storm.
:14:25
- Debussy is the wind in the trees.
- And you? What are you?
:14:28
Me? I'm the dynamo
that makes them tick.
:14:30
I'm a self-starter. I'll knock this town
on its ear once I get started.
:14:34
Nobody sits on my head.
It's full of talent.
:14:37
Last week, I met José lturbi.
He told me, "Practice.
:14:40
Learn what they want and play it."
:14:42
Paul, we've passed my house.
:14:45
Oh, I'm sorry. Remind me to let you
get in a word every once in a while.
:14:50
When I get wound up, I just go on and on
until someone changes the needle.
:14:54
- I know how you feel.
- Do you?
:14:56
Really?
:14:58
It's funny, you know, I never
open up like this to most people...