:31:04
I think you'd better.
:31:05
- Shall we go?
- Go?
:31:09
The dust don't start rising
till deuce-a-bells.
:31:12
Come again?
:31:13
He means those jams don't get started
till around 2:00.
:31:16
Come on, get going.
You can't stay here all night.
:31:19
Okay, Cossack.
:31:26
You know the Park Towers?
:31:27
- Yeah, sure.
- Deuce-a-bells.
:31:29
Yeah, I'll be there.
:31:34
Asta, where did you put that piccolo part?
:31:38
Where did you put it? No, where is it?
:31:41
You planning to spend the night?
:31:43
No, I was just looking for my instrument.
:31:45
- Is it one of them big bass tuba things?
- Yeah, that's it.
:31:48
There it is.
:31:50
Thanks.
:31:52
If it was any bigger, it'd bite you.
Get it and get.
:31:58
Solid.
:32:02
Come in. You're early.
:32:05
I was getting on a nervous kick,
sitting around there waiting.
:32:08
- Darling, this is Mr...
- Clarence Krause.
:32:11
Affectionately known
at Local 802 as Clinker.
:32:13
How do you do?
:32:15
The first spot we hit is Mitch Talbin,
big-band booker.
:32:18
They really flick the whiskers at his bakes.
:32:20
I brought along the old licorice stick.
:32:22
Of course, if the reedman's already riding,
I'm nowheres.
:32:28
Mrs. Charles always wears her mouth
open with this outfit. Come along.
:32:33
No.
:32:34
Swinging the classics
is strictly off the cob.
:32:37
- Taxi.
- A gate who knows his dots...
:32:39
takes his Beethoven
and his Brahms straight.
:32:42
You know what I mean?
:32:46
Get in.
:32:49
No, thanks.
:32:50
- We don't want to intrude.
- Get in.