:22:00
Let's have some music.
:22:02
This is what you do. And...
:22:05
...left, right, left, right.
:22:09
Turn right. Curtsy.
And twist right.
:22:15
Twist left. Arm out.
:22:19
Lift, two, three, four.
:22:23
One, two, right, left, right.
:22:28
Good. One, two, three, four.
:22:32
Turn, two, three, four.
:22:37
Turn, two, three. Change.
:22:41
That's it. Now softer.
:22:43
Very quiet.
:22:45
Don't take your eyes from mine.
:22:48
You just look as if you're in pain.
:22:50
I am. The rubber band's too tight.
:22:52
- Well, then take it off.
- It won't take me a minute.
:22:55
- I didn't know. It stopped the circulation.
- Pick it up about here. Right there.
:23:00
- I know it's gonna be better now.
- And, one, two, three, four.
:23:06
Now, look at me intimately, caressingly.
:23:09
Make every man in the audience
wish that he were in my shoes.
:23:14
That's the idea.
:23:16
Closer. Closer.
:23:18
More. More.
:23:21
Lunch. Marty, about an hour
I think will do, don't you?
:23:26
- Leave the music?
- I've got the place all afternoon.
:23:29
- It won't make any difference.
- Okay.
:23:37
Was I too terrible?
:23:39
No, no.
:23:41
You know, I've never really danced before.
:23:44
You're going to be fine.
:23:47
Mr. Hewes, you know,
you don't have to go on with this.
:23:50
- Now, look...
- I mean it.
:23:52
You're a wonderful dancer.
You could get anybody to dance.
:23:55
You could get the best.
:23:56
I don't want the best. I want you.
:23:58
I mean, look. You didn't ask me for the job.
I picked you.