:20:02
- Good morning, George.
- 0h, bonjour, madame.
:20:05
How is Madame George?
:20:06
0h, she's la très jalouse.
Very jalouse.
:20:10
It's that bit of a photograph
we had took together. Cold drink?
:20:14
They been looking all over London
for you this morning.
:20:18
That's what I said.
:20:20
How much longer must I wait?
:20:22
- I'll send for the SM.
- What is your name?
:20:26
Julian Craster.
:20:27
I have an appointment
with Mr Lermontov.
:20:30
Julian Kwis...Kweiss...
:20:32
- Craster.
- Kwaster.
:20:34
Well, George, if this young man
is invited by Mr Lermontov,
:20:37
you can pass him, yes?
:20:39
Ça va by me, madame. Ça va by me.
:20:43
Follow me, young man.
:20:48
- Est-ce que vous...?
- Comment?
:20:50
Are you a dancer?
:20:52
Yes...at night.
Not very much in the morning.
:20:55
I don't know much about the ballet.
:20:57
- You are artiste?
- Yes. I'm a composer.
:21:00
Ah! And you wish to see who?
:21:03
Well, I'm afraid I'm not quite sure.
:21:06
They are all there. Take your choice.
:21:17
Excuse me. Who's in charge?
:21:19
There's five or six of them
that thinks they are.
:21:22
- Can you tell me who's in charge?
- Don't ask me.
:21:25
I'm just somebody's mother.
:21:27
That doesn't mean much around here,
I can tell you.
:21:33
- Can you tell me who's in charge?
- In charge of what?
:21:37
- Mr Lermontov asked me to come.
- Why?
:21:41
- He's engaged me.
- Not as a dancer, I hope.
:21:43
No.
:21:45
Allons, mes enfants! Au boulot!
:21:48
And...
:21:53
Well, Mr Ratov,
Mr Ljubov wants it moved.
:21:55
It is on the plan,
and there it stays.
:21:59
Well, if you say so.