:02:02
-Can I have your autograph?
-Who am I?
:02:05
-I don't know.
-Don't bother, he's nobody.
:02:08
She's right.
:02:17
Dix! We'd about given you up.
:02:19
-Hi, Mel.
-Where've you been?
:02:21
-Come on. Buy us a drink.
-He's somebody.
:02:24
Lloyd Barnes, big director. Made all
his money bef ore the income tax.
:02:28
-We've been calling f or three days.
-You know me...
:02:32
...if I don't answer the third ring,
I'm not home.
:02:35
-Hello, Dix. Lloyd.
-Hi, Max.
:02:37
Honey, let me have that book I left
here f or Mr. Steele.
:02:41
I'm almost finished.
:02:42
Say " I like it, " and you go on
salary tomorrow.
:02:46
Then I like it.
:02:47
I think it'll make a dreamy picture.
An epic.
:02:51
-What do you call an epic?
-A picture that's real long...
:02:54
-...and has lots of things going on.
-Could we have some matches?
:03:01
Here you are. Mr. Steele, could I keep
the book till you come out?
:03:05
I only have a few pages to go.
:03:08
-Sure, take your time.
-Thanks.
:03:12
-Good evening, Mr. Steele.
-Evening.
:03:13
-Remember, she's your audience.
-Say that again...
:03:16
...l'll get another agent.
How are you, Charlie?
:03:19
-Let's sit at the other end.
-What's wrong with right here?
:03:23
-How are you, noble prince?
-Right well, thespian. Greg?
:03:28
Gin and tonic.
What do you fellows want?
:03:31
-A stinger.
-Glass of milk.
:03:33
And a brandy f or Mr. Waterman.
:03:35
-Are you dining here or browsing?
-How's everything, Paul?
:03:39
Just like show business,
there is no business. Ex cuse me.
:03:43
-Who's producing this?
-Bert Brody. Lloyd's directing.
:03:47
You've got to work. You've
been out of circulation too long.
:03:51
I need money,
you need the 10 percent.
:03:53
For me, you don't have to go to work.
I've got my apartment, car, ulcers.
:03:58
-Gasoline doesn't cost much.
-I won't do something I don't like.