1:01:05
Hi, Dix.
1:01:06
Oh, hello, Brub.
1:01:07
-How do you feel this morning?
-About the same as last evening.
1:01:12
What can I do f or you?
1:01:14
If you want to find out anything
about me, ask me.
1:01:16
I do. But I'm a cop, remember?
I take orders.
1:01:20
Sorry to be late, Sgt. Nicolai.
Noon rush at the bank.
1:01:24
Dix on Steele, Henry Kesler.
1:01:27
-Hello.
-How are you?
1:01:29
They trying to pin this thing on you
the same as they are on me?
1:01:33
-lf they are, I'm not aware of it.
-You're a much more logical candidate.
1:01:38
You loved her.
You could've been jealous.
1:01:41
If I were Capt. Lochner,
I could get a good case against you.
1:01:45
-Glad to have met you.
-What an imagination.
1:01:47
That's f rom writing movies.
1:01:49
What a grip.
That's f rom counting money.
1:02:00
This is what I'd like to have someday.
1:02:04
Small cosy house, near the ocean.
1:02:07
Brub painted the walls.
1:02:08
I made the lampshades and curtains.
They look it too.
1:02:14
Dix wanted me to tell you
how bad he feels about last night.
1:02:18
It was my f ault.
1:02:19
No. There was no ex cuse
f or his behaviour.
1:02:22
He's a writer. They can aff ord
to be temperamental.
1:02:26
I'm af raid he'd act just the same
no matter what he did.
1:02:30
-You certainly picked a wonderf ul spot.
-On a clear day we can see Catalina.
1:02:37
He's very much in love with you.
1:02:47
Sylvia, Lochner said that Dix described
the murder of Mildred Atkinson. Did he?
1:02:52
We were both very impressed with his
imagination. Why should that worry you?
1:02:57
You know he didn't do it.
You saw him after the girl left.