Sunset Blvd.
prev.
play.
mark.
next.

:28:01
Hey, you! Max, whatever-your-name-is,
what are my things doing here?

:28:07
I'm talkin' to you! My clothes
and things are up in the room!

:28:11
Naturally.
I brought them myself.

:28:15
Is that so?
:28:17
Why, what's the matter?
Is there anything missing?

:28:20
Who said you could?
Who asked you to?

:28:22
I did. I don't know why
you should be so upset.

:28:26
Stop that playing, Max.
:28:28
It seemed like a good idea
if we are to work together.

:28:33
Look, I'm supposed to fix up
your script.

:28:35
- There's no deal about my staying!
- You'll like it here.

:28:39
Thanks for the invitation.
I've got my own apartment.

:28:41
You can't work in an apartment
where you owe three months' rent.

:28:44
- I'll take care of that.
- It's all taken care of, paid for.

:28:50
Okay, we'll deduct it
from my salary.

:28:52
Now, now, don't let's be small about
such matters. We won't keep books.

:28:57
Max, unpack Mr. Gillis's things.
:29:00
It is done, Madame.
:29:02
Well, pack them up again!
I didn't say I was staying!

:29:05
Suppose you make up your mind.
Do you want this job or don't you?

:29:12
Yes, I wanted the job.
:29:14
I wanted the dough, and I wanted
to get out of there as quickly as I could.

:29:18
I thought if I really got going I could
finish it up in a couple of weeks.

:29:22
But it wasn't so simple
getting some coherence...

:29:25
into those
wild hallucinations of hers.

:29:28
And what made it even tougher was
that she was around all the time...

:29:32
hovering over me, afraid I'd do
injury to her precious brainchild.

:29:43
- What's that?
- Just a scene I threw out.

:29:47
Which scene?
:29:49
The one where you go to the slave
market. It's better to cut to John--

:29:52
Cut away from me?
:29:55
Honestly, it's too much of you.
They don't want you in every scene.

:29:58
They don't? Then why do they still
write me fan letters every day?


prev.
next.