1:06:00
Just clear a minute. Spread
that thing out so I can see it.
1:06:07
Keep quiet back there.
1:06:08
Norma Desmond's coming in
to see Mr. DeMille.
1:06:10
Hit that with a light, somebody,
so I can get a look at that cape.
1:06:16
Back up a little bit.
1:06:18
Soldier, get out of the way.
You fellows in the back there.
1:06:21
Norma Desmond's coming in
to see Mr. DeMille.
1:06:23
Norma Desmond?
1:06:26
Wait a minute.
1:06:28
Henry Wilcoxon, draw your sword
and raise that drape with it.
1:06:32
Samson's lying unconscious
over here.
1:06:34
Norma Desmond is coming in
to see you, Mr. DeMille.
1:06:38
- Norma Desmond?
- She must be a million years old.
1:06:42
I hate to think
where that puts me.
1:06:44
- I could be her father.
- I'm very sorry, Mr. DeMille.
1:06:47
It must be about
that awful script of hers.
1:06:51
What can I tell her?
What can I say?
1:06:53
I'll say you're tied up in the projection room.
I'll give her the brush.
1:06:58
Thirty million fans have given her
the brush. Isn't that enough?
1:07:01
- I didn't mean to--
- No, of course you didn't.
1:07:04
You didn't know Norma Desmond
as a lovely little girl of 1 7...
1:07:08
with more courage
and wit and heart...
1:07:11
than ever came together
in one youngster.
1:07:13
I understand she was
a terror to work with.
1:07:15
Only toward the end.
1:07:18
You know, a dozen press agents
working overtime...
1:07:21
can do terrible things
to the human spirit.
1:07:26
Hold everything.
1:07:34
- Don't you want to come along?
- I don't think so.
1:07:37
It's your script, it's your show.
Good luck.
1:07:39
Thank you, dearest.
1:07:44
Well, hello, young fella.
1:07:46
- Hello, Mr. DeMille.
- It's good to see you.
1:07:49
The last time I saw you
was someplace very gay.
1:07:52
I remember waving to you.
I was dancing on a table.
1:07:55
A lot of people were.
Lindbergh had just landed in Paris.
1:07:59
Come on in.