1:04:02
What's so hush-hush that you have
to drag me down here?
1:04:06
Every time I lie down on this sofa,
I get stabbed in the back.
1:04:10
What do you want?
1:04:11
That's what I want to talk to you about.
Come here.
1:04:14
Sit down in that chair.
The whole place gives me the creeps.
1:04:17
- What's the matter with you?
- Hasn't been decorated in centuries.
1:04:20
Isn't that the most uncomfortable chair?
1:04:23
Don't I deserve a dressing room
that's cheerful, modern and safe?
1:04:26
You got me down here for this?
1:04:28
When I give an interview here
I'm ashamed.
1:04:30
I have the whole studio sitting on me,
and you get me down here for this?
1:04:34
Aren't you ashamed? Don't you realize
I have a production shut down...
1:04:38
...right in the middle of shooting?
That's what you got me away from.
1:04:41
I'm being stabbed by a singer in New York.
1:04:44
You had to stop shooting
'cause you didn't get her here.
1:04:46
What will you do?
1:04:48
I don't know. I don't know what I'll do
except go crazy.
1:04:51
That woman, she swore
her contract was up with the show.
1:04:55
Our lawyers are talking about it
to New York this afternoon.
1:04:59
Why do they play that stuff so loud?
1:05:01
You better leave it open,
we'll be suffocated.
1:05:06
What is it, anyway?
1:05:08
It's just somebody running some tests.
1:05:11
I can hardly hear myself think.
1:05:14
I suppose there's nobody around here?
1:05:18
What?
1:05:19
You'd think there'd be someone here
you could take a chance on...
1:05:22
...rather than close down an entire picture.
1:05:25
Who, for instance? Name someone.
1:05:30
I don't know, Oliver.
1:05:31
You actors.
1:05:33
You think all there is to running a studio
is pressing buttons.
1:05:37
It's not quite that easy, believe me.
1:05:43
Say, who is that singing, anyway?
1:05:45
It must be one of the contract girls.
1:05:48
Not bad.
1:05:51
No.
1:05:58
Not bad.