:51:04
We've got five weeks. Opening night
in New York, it'll be great.
:51:10
But let's not kid ourselves.
It'll take an awful lot of work.
:51:15
You've got a big day tomorrow,
a rehearsal, a performance
:51:19
and production stills after that,
so get all the rest you can.
:51:23
- OK.
- Good night.
:51:31
The dame in this paper
puts her finger right on it.
:51:35
She says, "Elgin lacks authority
in a role that cries for it."
:51:40
- No authority. That's it.
- You know why he lacks authority?
:51:46
Because his wife has too much of it.
She's got to go back to New York.
:51:52
We ought to make it
transportation for two.
:51:56
If you don't like what I'm doing,
make it transportation for three.
:52:05
Now, we were discussing that scene
in front of the town hall.
:52:09
We go past the climax. Let's cut
the scene here tomorrow night.
:52:19
- Over a little more. That's it.
- Everybody out front, keep quiet.
:52:24
Sit down and keep quiet
or you'll be here all night.
:52:28
Settle down.
:52:30
All right, here we go.
:52:33
Stay! Hold it!
:52:36
- OK, go ahead.
- Hold it. Thank you.
:52:40
Hold those positions.
I want to change one thing here.
:52:45
While Frank is speaking,
I want you to look directly at him.
:52:49
And no movement, nothing that will
distract the audience from him.
:52:55
He's got to be
the centre of attention.
:52:59
You really think
it would be better that way?