:55:00
Is she?
:55:02
I thought you'd be glad to hear that.
Good-bye, UncleJervis.
:55:04
- Good-bye. Good-
- Thank you.
:55:06
Thank you.
:55:13
- Griggs.
- Yes?
:55:15
- Have I been rude to you?
- Most.
:55:18
Forgive me.
You're utterly charming.
:55:21
You're a little fat boy with wings
and a bow and arrow, and I'm very fond of you.
:55:24
Mmm. You're a dandy.
:55:31
Here we are.
This is where he lives.
:55:35
- Who shall I ask for?
- Don't worry about it. You're expected.
:55:41
Thank you, Miss Pritchard.
Thank you for everything.
:56:03
- Miss Andre.
- Yes.
:56:05
May I take your coat?
Wait just a moment, please.
:56:08
- As we continue to view-
- Thank you.
:56:10
this truly remarkable
collection of art...
:56:12
one feels more and more
a sense of debt toward its donor.
:56:16
Now we come to
some of the impressionists...
:56:18
a group of painters who have always
been a subject of great controversy.
:56:21
Their break with the past was viewed
with great horror by the academic school...
:56:25
who had for so long
reigned supreme in French art.
:56:29
This is a Renoir.
:56:31
Actually, it is a painting of the daughter
of the marquis de Marineau...
:56:34
and was said to
have been done in 1894.
:56:38
Will you please
stay with the group, miss?
:56:41
- Me?
- We cannot have people wandering off by themselves.
:56:44
I must insist that
you stay with the rest of us.
:56:46
Renoir is famous
for his paintings of children...
:56:49
but this is
one ofhis finest.
:56:51
Here we have a Corot.
:56:54
- In this painting, the foliage,
far more than any signature-
:56:57
proclaims the painter.