Ensayo de un crimen
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:47:01
That's why
you were staring at me?

:47:03
Yes, and because you
Iook so pretty.

:47:07
Now we're getting somewhere.
Try to remember.

:47:10
Don't teII me
you've forgotten so soon.

:47:13
I'm not that naive.
:47:15
No, reaIIy...
:47:17
And women shouId trust men...
:47:20
Our meeting Ieft
a Iasting impression on me.

:47:28
What's that meIody?
Where did you hear it?

:47:31
In a music box your mother had
when you were a chiId.

:47:36
Of course !
What a memory I have !

:47:40
Let's be friends!
:47:41
Intimate friends, nothing Iess.
:47:43
But I must get back
to my Yankee friends.

:47:46
They know their way around.
:47:48
And tomorrow, who do I eat?
:47:51
I'm paid to do this.
:47:53
- You're an interpreter?
- And a guide.

:47:55
And aIso a modeI...
made to serve God and you.

:47:59
One of those so-caIIed artists
has aIready used me.

:48:04
Look who's there!
My daddy has come to pick me up.

:48:11
Excuse me.
:48:12
- When can we meet again?
- It won't be easy.

:48:15
Since you're not a Yankee
or an artist, I can't see how.

:48:18
Where do you Iive?
:48:20
Give me a penciI.
:48:25
Insurgentes 408.
:48:29
''La Moda EIegante''.
:48:31
I am there day and night,
even though it's very confining.

:48:41
You said
you'd come with some Yankees!

:48:44
Maybe he's a Yankee.
:48:45
Quit kidding. Who is he?
:48:47
Have you forgotten?
:48:49
Oh yes...
what are you doing with him?

:48:52
I went over to say heIIo.
He's attractive, don't you think?

:48:56
I can't understand
why you insist on working.

:48:59
Now that we're getting married,
it's absurd...


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