:20:01
He's a wonderful dancer.
:20:03
Come on.
:20:29
I've got a pebble in my shoe.
:20:31
You do not.
Look, you got your way.
:20:33
I did it for you.
:20:35
Would you like
to become a dancer, miss?
:20:37
- Everyone knows what that means.
- She's my daughter.
:20:40
I'm very interested in her, madame.
:20:41
My daughter is an honest girl.
:20:44
I don't doubt it.
What does she earn working for you?
:20:47
She's not for sale.
:20:48
I want to give her a career.
:20:50
She already has one.
What kind of career?
:20:53
The finest of all, dear lady.
The theater.
:20:57
But there's nothing I can do.
:20:59
We'll teach you.
:21:01
And don't suck your thumb.
:21:05
What would you pay her?
:21:07
Three francs in training,
100 sous when she appears on stage.
:21:11
A hundred sous! What luck.
:21:13
A hundred sous?
When does she start?
:21:15
- At once, if you like.
- She must finish the day.
:21:17
Then I'll call for her tonight.
:21:19
All very well,
:21:21
but how do I know you're serious?
:21:23
Here's an advance.
:21:25
Hold it right there.
I've got a say in this.
:21:27
What's your name
and where will you have me dance?
:21:30
My name's Danglard.
:21:31
At the moment I'm running
the Chinese Screen.
:21:35
And by tomorrow I might -
well, that's another story.
:21:39
So, shall I come for you later?
:21:43
Good-bye.
:21:44
The pleats in this blouse
are a disgrace.
:21:47
How's the pleat in your backside?