:45:04
Here, sit down.
:45:10
What's the matter?
:45:13
- The neighbors been at you again?
- You know how they are.
:45:15
Such a small place.
:45:18
What is it this time?
:45:21
It has to do with
the way you dress, partly, and...
:45:27
I dress this way
because I work in the fields.
:45:32
Because I have nothing else.
:45:34
And the way you behave, too.
They don't understand it.
:45:37
It makes trouble for us.
:45:40
Since Father died, it hasn't been easy.
:45:43
People have stopped coming to the house.
They avoid us.
:45:47
It isn't very comfortable and...
:45:49
Is your young man
one of those who's stopped coming?
:45:52
Yes, he is.
But that doesn't matter so much.
:45:54
- Yes, it does.
- It's the rest of the family.
:45:56
Mother pretends she doesn't notice,
but I know it's upset her.
:46:00
She'll never tell you, so I felt I must.
:46:06
I'll get out. Take a few days to finish this,
and then I'll leave.
:46:09
No, Vincent. I didn't mean that.
:46:12
Of course you did, Willemien.
:46:17
It's all right.
:46:20
I've accomplished
what I stayed here to do...
:46:24
and maybe it is time to move on.
:46:29
I'm sick and tired of these cheap jokes.
Art is a serious business.
:46:32
And in Paris, at least.
An artist with a new idea should be...
:46:35
For once I agree with you, Durand-Ruel.
Impressionism is not a joke.
:46:38
It's a cancer and it must be cut out.
:46:40
Condone anarchism in the arts,
and you seal the doom of France.
:46:43
What would you do?
Padlock the galleries...
:46:45
- and ship the painters off to Devil's Island?
- No.
:46:47
They don't paint.
They load pistols with tubes of paint...
:46:50
and fire them at the canvas.
:46:52
And then have the audacity
to sign their names...
:46:54
Cézanne, Signac, Pissarro,
Gauguin, Renoir, Monet.