1:04:14
Try 'em anytime.
Take 'em home for the weekend.
1:04:17
I think you should.
1:04:19
I'm sorry about the horse, Rosa.
1:04:22
- Mike is trying to sell me on the snakes.
- She'd be great with a snake act.
1:04:26
What about our act? Why are you
so anxious to get rid of Lola?
1:04:29
- It's easy to get rid of Lola.
- Look, Mike...
1:04:35
- I've decided...
- Ribble and Orsini.
1:04:38
- We teamed up right here.
- What...
1:04:40
Or Orsini and Ribble. However you put it,
it's the same. Till she came along.
1:04:45
- She didn't change anything for me.
- You?
1:04:47
She's not interested in you, me
or the act. Just Lola, that's all.
1:04:51
The more you give, the more she'll want.
She's ruined acts before.
1:04:54
- You can't even begin to see her clearly!
- I can see you, though.
1:04:59
I see you forgetting to check the rigging,
missing parades.
1:05:02
Next, you'll duck practice. You'll think
of her in the middle of a triple and lose it.
1:05:06
I think about her all the time.
Just like I think about the triple.
1:05:10
Tino, listen to me. You're
the only man living who can get the triple.
1:05:14
But her, Tino. Anybody can get her. Can't
you understand? Anybody can get her!
1:05:19
Shut up!
1:05:22
I'll work with you, Mike. I'll work
for the triple until my hands burn off.
1:05:27
But you force me to choose
and I'll leave you.
1:05:30
I want Lola most of all, because I love her.
1:05:34
And she loves me.
1:05:40
Mike, you can't keep that boy
locked to the trapeze.
1:05:43
Let him dream a little.
1:05:47
- There goes the triple.
- He'll come back to it.
1:05:50
- Give him time.
- It's too late. You heard him.
1:05:53
Oh, how blind can you be?
1:05:56
It is not Tino she wants to fly to. It is you.