:42:02
The door to your bedroom
is over here.
:42:04
And you trip over
the vacuum cleaner
over there.
:42:10
All right,
come on, let's have
your offstage line.
:42:18
Is anybody home?
:42:20
Marjorie?
Oh, Marjorie!
:42:25
Colonel, what are you
doing in there?
:42:30
Why, Mr. Obermeyer,
why aren't you in Duluth?
:42:36
Oh, Herbert, you too?
:42:38
No! No, no,
Miss Meredith.
:42:41
David, David.
She can do it, David.
I guarantee it.
:42:44
She's just
a little nervous.
Miss Meredith.
:42:46
Yes, sir?
:42:48
This scene is supposed to
be played for high comedy,
with delicate reactions,
:42:51
not loud,
goggle-eyed takes.
:42:55
I'm sorry, Mr. Edwards.
:42:57
But I'm an actress,
and a good one.
:43:01
But I couldn't play
this part for high comedy.
Nobody could.
:43:04
Nobody.
I think that's all,
Miss Meredith.
:43:08
And if you'll forgive me
for saying it,
:43:11
you're too good a writer
to have such a scene
in your play.
:43:14
Okay, sister,
this way out.
:43:17
I might as well confess...
She's not really my client.
Tell her to wait a minute.
:43:25
Lora!
Lora, wait a minute.
:43:29
I think we've still
got a chance.
No, I don't...
:43:32
Miss Meredith.
:43:35
It's been a long time
since anyone told me off.
:43:38
Tell me, what would you do
with that scene?
:43:43
I'd cut it out.
Drop it entirely.
:43:47
That's not a bad idea.
Let me think.
:43:50
Yes, but the scene
has a couple of lines
that are important.
:43:54
Give them to Amy.
:43:57
Yes, it would work.