:10:01
I've got your contracts up in my office.
They're all made out.
:10:04
Yes, sir, a fine piece of old mahogany.
:10:07
You see, we consider this engagement
as we would New York or Philadelphia.
:10:11
The Healy Company, Mr. Pierce, has
the same high standards of performance.
:10:15
My throat is so dry.
:10:17
The stage is right out that way.
:10:19
- There you are, my dear.
- Thank you, dearie.
:10:24
It's this accursed dust.
:10:28
Recovered, Mrs. Hathaway?
:10:29
Toute recovered, Mr. Montague.
:10:35
Baby.
:10:43
Miss Rossini.
:10:46
Yes?
:10:47
You can come up here, too.
I'd like to show you my office.
:10:49
Thank you very much.
:10:54
- Now, it ain't very big, but it's cozy.
- It's lovely.
:10:58
Nothing to read there, Healy.
Same deal I give all the shows.
:11:01
- I think that...
- Now.
:11:03
Look right through this window
and you can see the actors.
:11:06
You have a charming proscenium,
Mr. Pierce.
:11:08
Over here.
:11:11
Look this way and I can see my dealers.
:11:13
Keeps them on their toes,
knowing I can see them.
:11:16
Yes, very clever. Mr. Pierce, my
understanding was we were to split 70-30.
:11:19
- You have it 30-70.
- Same numbers.
:11:22
- Yes, but in the wrong place.
- I'll fix it later.
:11:25
You said you have some house scenery?
:11:27
- Sure. Loads of it. Right through there.
- I'd like to see it.
:11:31
After you, Miss Rossini.
:11:33
I'll come along.
I want to look at your lovely pictures.
:11:37
I've got everything. Everything from
center-door fancy to kitchen and woods.