:29:00
I'd wake up
sometimes screaming.
:29:03
He'd be there
taking notes and pictures,
:29:07
and I'm sure good
came of it...
:29:10
for some people.
:29:12
- He was brilliant.
- A scientist drops a lizard
onto a child's bed,
:29:16
and good comes of it?
:29:18
[Knock On Door]
:29:29
Excuse me, but...
:29:31
Oh, there you are, Helen.
:29:33
The party looks like breaking up,
and we were wondering if...
:29:35
Oh, I'm coming.
:29:38
I wish you'd join us.
:29:41
Thank you.
Work.
:29:43
I hope that you...
:29:47
have a sweet tooth.
:29:49
Thank you for my present.
:29:52
Good night, Mark.
:29:54
Good night, old boy.
:30:10
[Man]
Cut!
:30:16
[Man On Phone]
Look, I tell you, Mr. Jarvis, this
picture is a commercial proposition,
:30:19
and that's why I want you
to do it because I know it's
the type of thing you handle.
:30:24
Look, you know I've talked
to Johnnie already. I've talked
to him, and he's crazy to do it.
:30:27
These are the figures
you wanted, Mr. Jarvis.
:30:30
Oh, it's terrific, Mr. Jarvis.
This script is gonna...
:30:33
- Still behind schedule.
...way back where it belongs.
:30:36
And you know
that Paramount want it.
:30:38
Yeah. Paramount want it.
MGM want it. Columbia want it.
:30:42
- [Jarvis] But is it commercial?
- [Man] Anglo want it.
:30:45
[Jarvis] Send me a memo.
We'll discuss it next week.
:30:48
Now, Miss Simpson,
take a memo:
:30:50
To all producers
and directors.
:30:54
In light
of the new economy drive,
:30:56
if you can see it and hear it,
the first take's okay.
:30:58
Slate 99, take 49.
Clappers on end.