:31:02
And darling,
just this once,
:31:05
will you please make an effort
to forget that you're stunning,
:31:08
and just try
to look stunned?
:31:10
One kind word
and I would be.
:31:12
All right.
Positions, everybody.
:31:14
Cut.
Roll once again, please.
:31:18
No, no, no, dear.
:31:20
Cut. Cut.
Cut it.
:31:22
- Slate 99, take 53.
- [Director]
We'll run it once more, please.
:31:24
Cut it!
Once again, please.
:31:27
If I have to faint once more,
I will faint.
:31:29
- Slate 99, take 57.
- [Director]
All right. Quiet, everybody.
:31:31
All right. Action!
:31:33
No, no, no, no, no. Cut it.
Cut it. Cut it. It's hopeless.
:31:39
[Gasps]
:31:41
- Oh, miss.
- [Director] Cut!
:31:43
- Cut! How was it?
Phil? Sam? Mark?
:31:48
Print it!
Hold take one.
:31:51
- Okay. Alex, that's it.
- All right, boys and girls. Wrap it up.
:31:54
8:30 in the morning. You're wonderful,
darling. You were really feeling it.
:32:01
- Catching the bus?
- Not tonight.
Meeting someone for a drink.
:32:06
Oh. I wanted to discuss
that film at the Everyman.
:32:09
- Tomorrow then?
- I hope so.
:32:11
- How's my favorite stand-in today, huh?
- Standing it.
:32:16
[Director]
8:30 in the morning.
:32:18
Viv, how about having a drink
with me on the way home?
:32:21
I've got a date,
Mr. Tate.
:32:33
Good night,
Miss Vivian.
:32:45
Yeah, Sergeant,
who's working late tonight then?
:32:48
That Indian picture,
The Elephant with Two Tails.
:32:50
- A bit crowded, aren't you?
- She'll take eight at a pinch.
:32:53
- Which is what we'll probably get.
- Go on.
:32:55
Well, I don't mind. Might as well get
pinched in a car as squeezed in a bus.