:52:01
- Offend?
- Then you'll talk it over with me?
:52:04
- When, please?
- That's up to you.
:52:06
- Are you free tomorrow night?
- Yes.
:52:08
- I hope I am.
- Well, I'll understand if you're not.
:52:11
I'll try.
I'll try my hardest to be.
:52:15
Thank you for listening...
:52:18
and for my present.
:52:25
- Good night.
- Good night.
:52:36
[Ringing]
:52:53
- Looking for a trunk?
- Uh, yes. I'd like to see that one.
:52:57
Certainly, Madam.
:53:02
No. No, no,
no, no, no, no.
:53:08
We must have some comedy
in this scene.
:53:11
- We'll retake it today.
- Very good, sir.
:53:15
The thing about this scene is
I must have some comedy in it.
:53:18
Now you do understand, darling,
don't you? You see,
:53:20
that instead of taking the first trunk,
I want you to ask to see a red one.
:53:24
And when he brings that,
I want you to look around...
:53:26
- And ask... excuse me a second, darling...
- [Woman] Sorry.
:53:29
for a white one,
then when he brings the white one,
:53:32
then you ask for a different one...
this one, the blue one.
:53:37
And you, Michael, bring the trunks one
by one, getting more and more fed up.
:53:40
- [Michael] I'll keep it light.
- I'm sure you will.
:53:42
Then we'll end up on some sort of
a gag I'll think of in a minute.
:53:45
- Understand? What?
- I don't feel it.
:53:49
- Don't feel it.
- Don't feel it, just do it!
:53:53
- All right. Positions, everybody.
- [Man] Anyone seen Viv?
:53:56
- [Director] Who?
- Oh, Diane's stand-in.
I want to light the set.
:53:59
- [Director]
No, Phil. I want to run it first.
- [Man] All right, quiet.