:28:07
Tell me you love me.
:28:08
Now, you know I love you, Margaret.
:28:13
Don't you think I'm pretty?
:28:15
- Of course.
- Then why don't...
:28:21
Do you think of me
when you're working, Ken?
:28:23
- Yes.
- What do you think?
:28:25
- I don't know. I think of you.
- Do you think of making love to me?
:28:28
- Now don't talk like that...
- How do you think of me, then?
:28:32
Margaret, this is silly.
:28:33
You know perfectly well
how I feel about you.
:28:38
Tell me you want me.
:28:42
Do you want me?
:28:43
- You know I want you, Margaret.
- Then tell me. Talk to me, Ken.
:28:46
- Honey.
- Tell me.
:28:50
Don't you want to hold me? Hold me.
:28:52
Margaret, we can't just...
:28:54
- Why can't...
- Please, Margaret.
:29:00
I'm sorry to rush things, but boy...
:29:00
I'm sorry to rush things, but boy...
:29:02
I've still got two hours of work tonight.
Always changes.
:29:05
I tell you what.
Just give us a layout of the plan site...
:29:07
and a schematic
of one of the factory buildings...
:29:10
and after that, Martin can do the rest.
:29:11
- Why don't you let him handle everything?
- Because it's right down your alley.
:29:15
You won a prize
for doing almost the same thing.
:29:17
- We're back to that again.
- I just wanted to illustrate a point.
:29:20
That is the point. I've had it.
:29:22
I don't want to keep doing
the same commercial designs.
:29:25
I think the location alone
would interest you.
:29:27
Look, I'm working on a house. I like it.
:29:29
I can't go hopping off to Hawaii.
:29:31
That wouldn't be necessary,
would it, Mr. Baxter?
:29:34
Aren't there photographs
of the proposed site?
:29:36
Sure there are. Some good ones, too.
:29:38
I prefer to get a feel of the terrain.
You know that.
:29:47
Actually, the terrain is no problem here.
:29:50
We've got a good flat parcel of land.
:29:52
- Good night, Mr. Baxter.
- Good night.
:29:55
What do you say, Larry?
We figure the job is worth $3,000.
:29:58
I think it's worth more than that.
:29:59
What Larry means is
he's been getting the work...