:50:00
Kiss me.
:50:18
What are you two guys doing?
Figuring out new ways to chisel me?
:50:21
- Hiya, Rog.
- Daphne, Larry Coe.
:50:24
- How do you do?
- Mr. Di Labbia.
:50:25
- Hello.
- Want her number?
:50:26
- Honey, everybody's got my number.
- Yeah, I know.
:50:30
- This sure is exciting, isn't it?
- Don't pay any attention to her.
:50:33
A checker game is exciting.
Crazy legs, though.
:50:36
This little group of beavers running around.
What's this costing me?
:50:39
Not enough, Mr. Altar.
:50:41
- It looks like a big prison.
- Excuse me, I have some work.
:50:43
What difference does it make?
You're King Midas, remember?
:50:46
Sure. I'm beginning to feel like your patron.
:50:48
Getting the money from the publisher
with one hand...
:50:50
- and giving it to you with the other.
- How is the book coming?
:50:53
- I turned it in last week.
- Good.
:50:55
Rog let me read all the best parts.
It's wonderful.
:50:59
It's just like poetry.
:51:00
All right if I go look at your house now,
Mr. Coe?
:51:03
- Certainly.
- Sure, baby, you can go look at my house.
:51:05
Your house.
:51:07
Listen, you know the entrance
to the dining room?
:51:09
Can it wait until tomorrow?
You know, I didn't expect you today...
:51:12
I'm late now. Okay?
:51:14
- What is it, a blonde or brunette?
- Neither.
:51:17
Bald and 50, another potential patron.
:51:20
What's the matter?
Don't you like the house anymore?
:51:22
Of course I do. What kind of a crack is that?
:51:24
It's just that it's hard being enthusiastic
all by myself.
:51:28
I'm sorry, Rog. Can you stop by tomorrow?
:51:30
We'll walk through the whole thing
step by step...
:51:32
- and work over the rough spots.
- Sure.
:51:34
- I got a few extras.
- No extras. No more extras.
:51:37
- I'll see you tomorrow. You'll like them.
- This is expensive wood.