:28:02
l found an apartment
in the shadow of the Sacré Coeur,
:28:05
and was beginning to enjoy my exile
:28:07
when Harry came rushing at top
speed, for him, across the square
:28:12
that has launched generations
of immortal artists,
:28:15
all painting the same
immortal painting.
:28:21
Everybody's talking about it.
l ran as fast as l could.
:28:25
- What do you mean, l'm fired?
- l just came from the office.
:28:28
Communiqué from the boss.
Chalmers.
:28:30
You've been given
your two weeks' notice.
:28:32
- What?
- Quote. Unquote.
:28:35
But don't worry, they did it to Louis
the XVl, and he came back, didn't he?
:28:39
- Or did he?
- He can't do it.
:28:40
l got the best lawyer in the States
to draw that contract.
:28:43
- lt's got three more years to run.
- Looks like he found a loophole.
:28:45
- How could he?
- He hired your lawyer to look for it.
:28:49
That is un-American.
:28:51
- You going back home?
- You bet l'm not. l've been working.
:28:54
l've got two weeks to show
that charcoal-gray fink
:28:56
that he's throwing away the great
white hope of American journalism.
:28:59
He'll be begging me to sign up again.
:29:02
When l dream it,
he has tears in his eyes,
:29:04
and he's throwing hundred-dollar bills.
:29:05
- Come here.
- But l never catch them.
:29:07
l've been up all night, pounding
out a new idea for the column.
:29:09
- All night?
- Yeah, read it.
:29:12
Dateline, Montmartre.
:29:17
Bébé.
:29:19
Good morning.
:29:31
Au revoir, bébé.
:29:35
Actually, you can say that again.
:29:38
Au revoir, bébé.
:29:56
Au revoir, bébé.
:29:59
Do l know you?