:44:00
I won't tell anyone.
:44:23
Mr Stringer!
What are you doing in that get-up?
:44:26
Just training to get into peak
condition for any emergency.
:44:31
Is there one already?
:44:32
No emergency,
but a very interesting development.
:44:36
Oh, do stop bobbing about
and come over here.
:44:43
Remember September.
:44:46
Not a date, a play
:44:49
and by my new employer,
Driffold Cosgood himself.
:44:53
- You do see the significance?
- No.
:44:57
Well, follow me, Jim.
Follow me closely.
:45:00
It seems to me that whomever
Mrs McGinty was blackmailing
:45:03
must have had some connection with
the production of this play in 1951
:45:08
and is with the Cosgood Company.
:45:11
The author himself?
:45:12
- Perhaps.
- How did you come by it?
:45:15
- I found it on my pillow.
- What?
:45:17
It was left there deliberately.
:45:20
Then the murderer knows!
He's been on to you all the time!
:45:24
He's playing cat and mouse with you.
:45:26
- Two can play at that game.
- Miss Marple, I'm deeply disturbed.
:45:31
Don't get yourself in a state.
:45:33
I'm not in a state... I'm cold.
:45:36
Oh, dear me.
:45:40
There we are.
:45:41
That's better, isn't it?
Tuck it well round.
:45:44
Now...
:45:46
What organisation
would be likely to keep a record
:45:49
of all professional theatrical
productions?
:45:52
The censorship people.
:45:54
To be sure. The Lord Chamberlain's
Office in London.
:45:58
I'd be obliged
if you would go there post-haste