1:34:02
I know you're a stubborn man, but so am I.
1:34:04
This experiment is over.
1:34:06
And nothing short of an order
from the king could force me to recant.
1:34:12
You understand, Higgins? It's over.
1:34:16
Higgins, if there's any mishap
at the Embassy tonight...
1:34:19
...if Miss Doolittle suffers
any embarrassment...
1:34:21
...it'll be on your head alone.
1:34:22
Eliza can do anything.
1:34:24
Suppose she's discovered?
Remember Ascot.
1:34:26
Suppose she makes
another ghastly mistake?
1:34:27
There'll be no horses at the ball, Pickering.
1:34:32
Think of how agonizing it would be.
1:34:34
If anything happened tonight,
I don't know what I'd do.
1:34:37
You could always rejoin your regiment.
1:34:38
This is no time for flippancy, Higgins.
1:34:40
The way you've driven her
the last six weeks...
1:34:42
...has exceeded all bounds
of common decency.
1:34:44
For God's sake, stop pacing.
Can't you settle somewhere?
1:34:47
Have some port. It'll quieten your nerves.
1:34:49
I'm not nervous.
1:34:52
- Where is it?
- On the piano.
1:34:55
The car's here, sir.
1:34:57
Good. Tell Miss Doolittle.
1:34:59
Tell Miss Doolittle indeed.
I'll bet you that damned gown doesn't fit.
1:35:02
I warned you about these French designers.
1:35:04
We should've gone to an English shop.
They would've been on our side.
1:35:07
- Have a glass of port?
- No, thank you.
1:35:16
Are you so sure this girl will retain
everything you've hammered into her?
1:35:20
Well, we shall see.
1:35:22
Suppose she doesn't?
1:35:25
I lose my bet.
1:35:27
There's one thing I can't stand about you,
your confounded complacency.
1:35:30
At a moment like this,
with so much at stake...
1:35:32
...it's utterly indecent
that you don't need a glass of port.
1:35:37
And what about the girl? You act
as though she doesn't matter at all.
1:35:41
Rubbish, Pickering. Of course she matters.
1:35:44
What do you think I've been doing
all these months?
1:35:46
What could possibly matter more
than to take a human being...
1:35:50
...and change her into a different human
being by creating a new speech for her?
1:35:54
It's filling up the deepest gap
that separates class from class...
1:35:57
...and soul from soul.
1:35:59
Oh, she matters immensely.