:31:09
In most of the film,
he doesn't wear his poncho,
:31:12
although that's what
everyone remembers him for.
:31:15
He wore it in the opening
and the final sequences,
:31:18
but in between, the sheepskin waistcoat,
the blue shirt, the shrunk-to-fit jeans -
:31:23
they had one of each
so had to look after it,
:31:25
if they got it wet or dirty
they had to dry-clean it
:31:28
so he could wear it for the next setup -
was what Eastwood wore.
:31:56
Here's the "Deguello" theme, the trumpet
:31:59
with the strumming guitar in the
background. A Mexican funeral dirge.
:32:03
The death-rattle song from The Alamo.
:32:07
Leone wanted to use the theme
from The Alamo and from Rio Bravo,
:32:11
which was the same theme,
but they discovered it wasn't a folk tune,
:32:15
it was written by Dmitri Tiomkin
in the 1950s, and was in copyright.
:32:19
So they made this adaptation.
:32:21
And here's the Baxter clan,
waiting to visit the Rojo clan.
:32:25
Is this peace plan
worth anything, or isn't it?
:32:32
Consuelo Baxter, the Madonna
who runs the Baxter clan, effectively,
:32:37
because her husband isn't strong,
is played by Margarita Lozano,
:32:41
a Spanish actor who had made
her name in Luis Buñuel's film, Viridiana.
:32:46
And Leone was very fond of Buñuel's
work, so he cast her as Consuelo Baxter.
:32:54
Some of the shots which are made
day-for-night in this film don't work well.
:32:59
Some work, where you have torches
and it's obvious that Massimo Dallamano,