1:21:01
clearing out those minefields
and barricades all the way to the beach.
1:21:06
Mostly we want to shoot movies
of engineers getting killed...
1:21:10
especially the first body
that washes up on Omaha beach.
1:21:16
That's the deal.
What do you think of that, mates?
1:21:20
Commander, I think you're out
of your ever-loving mind.
1:21:23
You can say that again.
1:21:25
What's this?
1:21:27
That's a camera.
1:21:29
How do you work it?
1:21:31
How the hell do I know?
1:21:33
This is a pretty intricate camera.
1:21:35
At home I got a little old
8 mm Bell and Howell.
1:21:39
I never saw anything like this before.
1:21:41
That's what they gave me.
1:21:45
I can see the ceiling.
1:21:51
I'll tell you one thing.
1:21:54
You got to put film in this camera.
1:21:59
Are you sure of that?
1:22:02
For the love of Mike,
what's the matter with you?
1:22:04
If you're going to make a movie,
you got to put film in the camera.
1:22:08
Even I know that.
1:22:09
No. We're going to make this movie
without film.
1:22:13
This movie, sailor, cannot be made.
There's no reason it for being made.
1:22:17
None of us know how to make a movie.
So what is the sense in using film?
1:22:22
Makes sense.
1:22:23
I'm cutting out of here.
1:22:27
Hey, Commander?
1:22:30
Do you see that little kid on the floor?
1:22:34
Well, him and me, we've been stoned
for two days.
1:22:39
We started off with
three bottles of vanilla extract...
1:22:43
and then we got in with
a bunch of submarine fellas...
1:22:46
and we finished off
a Number 10 can of torpedo alcohol.
1:22:53
You got to be pretty stoned
after that, right?
1:22:56
I would think so.
1:22:57
Commander, we ain't that stoned.