Topkapi
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:41:03
Stop pacing.
:41:05
This is not a cage,
and you are not a lion.

:41:08
OK, I am wrong. You are a lion -
:41:11
the king of the jungle. My king.
:41:15
Well, don't just stand there. Roar.
:41:18
- Or give me a kiss.
- Later.

:41:21
That's what I like about you Swiss.
You're so sexy.

:41:30
I don't like Simpson being here.
:41:32
Arthur Simpson is keeping
you away from my side?

:41:36
- He's harmless. He's a schmo.
- No, no, no, no.

:41:39
It's not that. It's a departure
from the plan. This I hate.

:41:43
Not true. You do everything with style.
:41:48
It's a departure from your style,
this you hate. For this I love you.

:41:53
Mm. Style, my eye.
:41:55
As long as I get the emerald for you,
you don't care how I get it.

:42:01
Walter, I don't hide the way
I feel about the emerald.

:42:05
I don't hide the way I feel about you.
:42:07
The emerald excites me
physically, like a man.

:42:12
Like you. You excite me.
:42:15
The emerald and you
are fused in my mind.

:42:18
Each of you excites me more
because of the other.

:42:24
Mm.
:42:26
I thought the evening was lost.
:42:30
I was beginning to wonder
whom I could turn to next.

:42:34
How about Giulio? Isn't he fused
in your mind with your emerald, too?

:42:39
Mm.
:42:41
But there is a dilemma -
so is Hans, so is Cedric Page.

:42:46
There's a fine figure of a man.
:42:48
But watch out, the English
are not what they seem.

:42:52
- Read the papers.
- I know.

:42:55
There's Arthur Simpson, too.
:42:58
I feel a strange attraction.

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