:37:00
and I don't mean
to belittle your profession...
:37:02
but why should I listen
to your opinion on art?
:37:05
Because I happen to be
one of five people today...
:37:08
who could definitely
be called an artist.
:37:10
Maybe six, including Frieda.
:37:13
- Who's Frieda?
- A chimpanzee on my block.
:37:20
Oh, that's great.
That's great.
:37:22
I mean, you see a technique like that,
it just wipes you out.
:37:24
- I go ape!
- Uh, what is it?
:37:27
What is it?
Innocence!
:37:29
Van Gogh had it, but, uh,
then he had to chop his ear off...
:37:32
in order to free himself.
:37:34
- Free himself from what?
- Intellectual hang-up.
:37:38
You know, if we could all do that,
go back to a life like that...
:37:40
uncluttered, unhung...
:37:42
simple.
:37:45
- Oh.
- Well, Frieda had the best
teacher in the world, you know.
:37:48
- Rene Carrere there.
- Ohhh.
:37:50
I'm very happy to meet you, Mr. Carrere.
I'm Louisa May Hopper.
:37:54
You don't look anything like
the Emile Desjardins it said
you are in your cab.
:37:59
The name is Larry Flint.
:38:02
I just take Emile's cab out for him
once a year... the day his wife has a baby.
:38:05
Frieda is finished now.
:38:08
It's a masterpiece!
:38:11
Boy! Look at the line!
:38:14
And the color and the sweep
and the texture.
:38:17
Marvelous!
:38:20
A testament to the human spirit!
:38:22
Total primitive articulation!
:38:25
- Mwah!
- Does Frieda's work sell?
:38:28
Sell? You think Frieda cares
whether her work sells?
:38:31
You think I care
whether my work sells?
:38:33
Typical American yardstick...
the eternal buck!
That's why I left the place.
:38:36
Well, Mr. Flint,
I was only asking. Um...
:38:39
Aaah! What's that?
:38:42
She's at it again.
:38:44
Aaah! Well, is someone
being murdered? Aaah!
:38:47
Are we going to the police?
:38:51
Hey, Larry.
She shot three already!
:38:58
Hey, Polly,
you're working again.