:50:00
...and then to me for final approval.
:50:02
ln what way
do l have good bone structure?
:50:08
ln films, either you have got a face,
or you don't got a face.
:50:13
You have got a face.
:50:15
-Can l have it, please?
-What?
:50:17
-The application form.
-Yes.
:50:21
l'm sure l've got one in here somewhere.
:50:24
And you say l have a face?
:50:27
l noticed it when the light hit you
from the side.
:50:30
Did you look on the shelves?
:50:33
Not yet.
:50:36
Everything is in such a mess.
:50:42
Here it is. Here it is.
:50:45
Permit for parades and special events.
:50:49
-Sorry.
-lt's all right, you've good bone structure.
:50:52
Now then you would be required
to have this filled out in triplicate...
:50:58
...and then it must be brought
to be stamped at the bureau of....
:51:02
-Anything wrong?
-Please continue, please.
:51:04
The Bureau of Approvals which would....
:51:07
l wonder, l wonder.
:51:11
No, l couldn't ask it.
:51:12
What is it? Ask me. Go ahead, ask me.
:51:15
l couldn't ask you. You are a policeman.
:51:18
That's what policemen are for.
To ask them things.
:51:20
Go ahead, ask me.
:51:25
l couldn't ask you to actually act...
:51:29
...in the picture because l only use
professionals for the talking parts.
:51:33
No, l couldn't act. l'm a policeman.
:51:36
-Don't ask me to act.
-Of course not.
:51:40
What were you going to ask me?
:51:44
lf, after l got the permit to film in Sevalio...
:51:47
...if, during the shooting of the film...
:51:50
...my sensitive camera were
to come across an interesting face...
:51:54
...with good bone structure...
:51:56
...a face that could be...
:51:59
...in a crowd, sitting at a café.