:08:02
Im looking.
:08:08
Yes, yes... Mao's ideas can help me.
:08:14
In any case, you need sincerity
and violence.
:08:24
You're getting a kick out of this.
:08:27
Like Im joking for the film,
:08:29
because of all the technicians here.
:08:33
But that's not it.
:08:36
It's not because of a camera.
:08:38
Im sincere.
:08:54
Yes... in China,
:08:56
the leaps forward
:08:59
by the Peking Opera were wonderful.
:09:04
And in Europe, in France?
:09:07
In Milan, Strehler does good work.
:09:10
Yes, he has...
:09:12
There's a great Althusser text
about a Brecht play...
:09:18
..and Ive made it mine.
:09:21
I turn around...
:09:25
And suddenly the question is...
:09:30
..are the words Ive just said,
so awkwardly and blindly...
:09:36
..part of a greater play
continuing through me...
:09:43
..a worker in the world theatre.
:09:47
The sense incomplete...
:09:50
..looking through and with me...
:09:54
all the actors and settings
:09:57
of the silent oration.