:59:03
during Veronique's expose.
:59:06
The forms of oppression
aren't the same.
:59:09
Life now under Pompidou
:59:11
isn't like during the war
under Hitler.
:59:15
Yet, comrades and friends...
:59:18
Just as Serge showed
how art doesn't reflect reality,
:59:22
but is the reality of reflection,
:59:24
such is the reality of formulas used
by friends of Pompidou and Malraux
:59:29
to ban a film like The Nun
by Jacques Rivette.
:59:33
It's that reality,
since in formulas there's form
:59:37
which makes me think
it's a form of oppression.
:59:42
She was confusing Marx and theatre
:59:47
and politics,
and that's romanticism.
:59:53
She behaved in life like an actress.
:59:58
She was influenced by Guillaume.
1:00:01
Who's he?
1:00:02
An actor.
1:00:04
He was one of the group?
1:00:06
Yes... a fanatic.
1:00:10
His father had worked with Arthaud.
1:00:15
While with Kosygin, Wilson,
Pompidou, it's sweet death.
1:00:20
If that doesn't suit you,
1:00:23
there's violent death
in North Vietnam.
1:00:26
While in the South,
sweet death is enough.
1:00:30
But I say it's the same
1:00:32
in literary and scientific studies.
1:00:36
The Left has suggested reforms.
1:00:41
As long as Racine portrays
men as they are.
1:00:44
As long as Sade is prohibited.
1:00:47
As long as maths isn't taught
in nurseries.
1:00:51
As long as they subsidize the queers
at the Comedie Francaise
1:00:56
more than Planchon or Bourseiller.