:09:02
Honey, this is Dale Kingston.
:09:04
- How do you do?
- Yes, yes. How do you do, sir?
:09:07
You must be the artist
of these arid little landscapes?
:09:11
- They're not too bad.
- Thank you.
:09:13
- Mr Kingston? Mr Dale Kingston?
- Yes.
:09:17
And you're the famous art critic?
:09:19
Well, as of the moment, yes...
:09:21
Of course he is, darling, and you're
already raving about Sam's work.
:09:26
I'm sorry. You couldn't possibly have
this cactus for a penny less than 12.
:09:30
- I have five minutes to 11, sir.
- Five to 11?
:09:34
- Yes.
- So it is.
:09:37
Thank you very much, Mr Franklin.
:09:40
- Oh, of course you'd love champagne.
- Oh, you bet.
:09:43
Sam, the painting.
:10:18
So that the meaning of the mobile
stems not only from its form
:10:23
but the relationship between the pieces,
which gives it its meaning.
:10:28
I suppose the relationship between
the pieces is really where it's at, isn't it?
:10:40
Yes.