:22:12
(Bell)
:22:17
Oh...
:22:24
- Look out!
- Gee, I'm sorry.
:22:27
That's all right. I've been
bumping into things today too.
:22:31
Too much of the grape last night.
I didn't clear out till 3am.
:22:34
Mr Kingston went home a little earlier?
:22:37
Well, he stayed long enough to make every
other gallery owner green with envy.
:22:42
Dale is usually in London or Paris.
He doesn't fool around with us peasants.
:22:46
I'll tell you what I really wanna know -
what time he got here.
:22:49
Yes. I know, I know.
Sam is right through there.
:22:53
I called the parking boy, he'll be over soon.
:22:55
Sam, this is the policeman who phoned.
:22:58
- Is it all right?
- Bring him in.
:23:01
They interrupted Rembrandt,
why shouldn't they interrupt me?
:23:07
Yeah, what is it?
:23:09
- If I'm interrupting...
- You're not interrupting.
:23:13
Forgive the mood
but you caught me on a bad day.
:23:16
- This here is Chris.
- Oh, hi.
:23:19
- Hello. Are you an artist?
- No.
:23:22
- I can come back...
- Interrupt.
:23:25
- I'm here under duress.
- Thanks a lot.
:23:27
- Stop moving! I'm trying to paint you.
- Well, paint.
:23:31
It's very routine, not that important...
:23:34
Well, me and champagne are not routine.
:23:38
If you're interested in Mr Kingston,
what time he got here, I don't know.
:23:43
There was something about his watch
but I'm not sure.
:23:46
Might help if you try to remember.
:23:51
Oh, yeah. Well...
:23:53
Er... There was something wrong
with his watch.
:23:58
Yeah, that's it,
and he asked me what time it was.