:36:17
Come on, lrma!
:36:23
lt'll be okay.
:37:18
Good evening, Mr. Constantine!
:37:23
Good evening!
:37:33
-Care to tell me what we're doing tomorrow?
-Sure.
:37:38
Mike, l want an incredibly long, slow shot...
:37:42
dolly slowly through the two rooms.
:37:45
Since this is the scene of
two brutal murders...
:37:48
our approach must be a complete contrast.
:37:53
lf we make it quick and snappy,
and it's cut around afterwards...
:37:57
the audience will never get the feeling
that a murder takes time...